In an industry often shaped by metropolitan access and long-established networks, careers emerging from smaller regions tend to follow a quieter, more gradual path. The professional journey of Raja Majid is one such example. Hailing from Chinote, a village in the Bhaderwah district of Jammu & Kashmir, Raja Majid has steadily built his place in Indian cinema and the OTT space as a Line Producer, later as an Executive Producer, and more recently as an emerging actor.
Rather than beginning with visibility or public recognition, Raja Majid’s career started at the operational level of filmmaking. As a line producer, his responsibilities involved managing day-to-day production logistics coordinating crews, handling locations, supervising schedules, and ensuring that projects remained within practical and financial constraints. This role is often unseen by audiences but is critical to translating scripts into workable productions, particularly in projects shot across complex terrains or sensitive regions.
Over the years, Raja Majid has worked on several prominent web series and films that required strong execution capabilities. His association with series such as Avrodh: The Siege Within brought him into large-scale, detail-oriented productions rooted in military and security narratives. Similar demands were present in Tanaav and its continuation Tanaav 2, both of which involved extensive coordination, realism-driven setups, and disciplined production planning.
Alongside web series, Raja Majid’s film work spans multiple genres. Action-oriented projects such as ”Leo“and “Amaran: The Commando”required structured execution and safety-focused planning. In contrast, films like “The Era of 1990“ and “Silaa” leaned more towards contextual storytelling, where production choices had to support narrative authenticity and period sensitivity.
A notable aspect of his career is the range of content he has been involved in. Lighter and comedy series such as “Shakkar Masala” sit alongside more intense projects like Shooter, Lahore Diaries, and upcoming “Kandhaar”. This variation reflects an ability to adapt production strategies to different audiences, formats, and storytelling demands.
His involvement in films such as “Kamboja” and “Shatrughat” which are in Post Production stage further illustrates this adaptability. Meanwhile, “Manju Juliet” upcoming Web Series which is also going to release this year shows the cultural and emotional landscape of Kashmir, holds particular relevance given his own regional background, offering a bridge between personal familiarity and professional execution.
As his experience grew, Raja Majid transitioned into the role of Executive Producer, a position that expands responsibility beyond logistics to include creative oversight, budgeting decisions, and project development. Projects such as Guilt, Ghalib, and Pashmina represent this phase of his career, indicating a broader role in shaping projects from planning to completion.
Parallel to his production work, Raja Majid has also begun exploring acting. Still at an early stage, this move appears less about rapid transition and more about expanding his understanding of cinema as a complete craft. Years spent behind the camera have given him insight into performance requirements, on-set discipline, and narrative structure elements that can inform a more grounded approach to acting.
Beyond individual achievements, Raja Majid’s journey is significant in a broader context. Coming from a small village in Bhaderwah, his career challenges the assumption that meaningful participation in mainstream Indian cinema is limited to metropolitan origins. His path reflects how consistent work, adaptability, and professional reliability can create space for regional talent within national productions.
Rather than being driven by publicity or rapid visibility, Raja Majid’s growth has been marked by continuity and gradual progression. As Indian cinema and streaming platforms continue to expand, professionals with strong on-ground experience and evolving creative roles like him are likely to remain an essential, if understated, part of the industry’s working backbone.
